
A newspaper-like texture is overlaid with fragmented black rectangles, creating a sense of digital interference or redaction. The scattered gaps reveal bits of printed text and images beneath, forming a layered visual narrative. The grid-like disruption mimics data corruption or censorship. The contrast of analog material and digital abstraction evokes a dialogue between memory and loss.

Thin black grid lines curve dynamically across a white background, forming an illusion of warped architectural surfaces. The minimal typography, placed around the edges, enhances the diagrammatic feel. The bending structure implies perspective and tension within a two-dimensional space. The poster balances precision and elasticity through disciplined simplicity.

A beige background hosts a set of blurred vegetables arranged within visible digital bounding boxes. The precise framing grid contrasts with the soft, unfocused photography, suggesting an experimental study of perception and categorization. Each item is numbered and labeled, reinforcing scientific order against visual ambiguity. The tension between clarity and blur defines the poster’s conceptual core.

A dense composition built entirely from multicolored text blocks, forming a mosaic-like surface. Large black letters emerge through the colorful chaos, partially legible within the typographic field. The interplay of saturation, hierarchy, and repetition creates visual rhythm and cognitive overload. The design celebrates information density as both noise and pattern.

Two distorted human faces are vertically stacked, their eyes stretched into elongated reflective voids. The warped perspective and grainy texture evoke a sense of digital manipulation and uncanny familiarity. Minimal black typography anchors the surreal imagery within a structured layout. The contrast between the mechanical distortion and human softness produces an unsettling visual impact.

A glowing green amphibian-like creature stretches diagonally across a white field, its outline defined by a soft airbrushed halo. The partially transparent form reveals subtle line drawings beneath, merging anatomical precision with surreal diffusion. The luminous color and fluid pose give the figure an otherworldly vitality. The piece feels both scientific and dreamlike in its visual tension.

Bold black typography fills the frame in a dense grid, repeated multiple times with overlapping text in various orientations. Oval labels containing discount information break the uniformity, introducing rhythmic pauses. The repetition and mirrored layout evoke visual noise akin to poster walls or typographic patterns. The interplay between legibility and abstraction generates a dynamic, layered texture.

The poster places a bright green box filled with illustrated sheep against a photographic collage of real sheep. The typographic title is stylized in a whimsical, dreamy manner, blending humor with academic reference. The mixture of vectors and photography playfully questions digital representation. The contrast between artificial and natural textures creates a layered commentary on design and imitation.

This piece features flowing organic shapes outlined in gold against a pale mint background. The forms resemble clouds or smoke trails, intertwined with geometric rods and small golden spheres. The mixture of metallic contour and soft pastel space creates a balance between delicacy and structure. The composition evokes a sense of floating movement, as if light and material were in flux.

A large fingerprint dominates the composition, fragmented by horizontal data lines resembling barcodes or information charts. The dense black ridges contrast sharply against the white background, creating a sense of identity dissected through digital analysis. The text at the bottom provides structured order beneath the chaotic visual of the fingerprint. This juxtaposition of organic pattern and systematic data highlights the tension between individuality and information systems.

Sparse black dots form sweeping, wave-like trails on a white background, suggesting fabric folds or motion traces. The typographic elements are delicately positioned to follow the curved flow, integrating seamlessly into the composition. The simplicity highlights rhythm through repetition and spacing. The poster embodies quiet motion within a minimal monochrome field.

Black and white marbled textures fill the frame, with bold white text layered densely across. The typography aligns vertically and horizontally, partially obscured by the organic swirls underneath. The mixture of liquid pattern and rigid structure creates visual turbulence. The contrast of motion and grid typifies experimental graphic rhythm.

Composed of black pixel-like dots, the poster depicts a large curved form resembling a smiling face or spiral. The dotted texture creates gradation and movement across the surface. Sparse typography integrated at the corners balances the dynamic central shape. The overall aesthetic evokes early digital print processes and playful minimalism.

Two tangerine slices float against a split landscape of green and sky blue, with embedded text revealed on their surfaces. The lower half includes step-by-step pictograms describing a simple ritual of peeling and sharing. The vivid complementary colors enhance the playful, sentimental tone. The work combines instruction, affection, and visual humor into a single graphic narrative.

A minimalist white layout presents scattered fruits and vegetables, each isolated against clean space. The glossy textures and slight shadows create a hyperreal photographic quality. The composition’s order and spacing recall a museum display or scientific taxonomy. The restrained design emphasizes material beauty through clarity and precision.

A grid of yellow circles overlays black text and imagery, forming a dense visual field of repetition and vibration. The type oscillates between readability and abstraction, echoing the rhythm of performance or sound. The circular motif unifies the composition while diffusing focus across the surface. The interplay between pattern and information evokes the aesthetics of data and sensory overload.

Stylized animals with exaggerated round eyes—a flamingo, parrot, and giraffe—stand against a flat blue background. The airbrushed gradient technique softens their edges, lending a dreamlike plasticity to the figures. Their simplified forms and saturated colors create an uncanny, cartoonish stillness. The composition plays with artificial naturalism through its surreal color harmony and texture.

Vertical white bars divide an image of figures in motion, creating a striped rhythm that doubles as a calendar layout. Each strip contains dates and temperature markings, fusing graphic structure with documentary content. The underlying image of summer activity appears fragmented, as if seen through blinds. The design balances data and nostalgia through its precise grid and faded photo texture.

The poster features fluorescent pink silhouettes of dancing figures arranged around a metallic golden starburst. The holographic background enhances the sense of energy and motion, reflecting light in shifting tones. The composition radiates outward, suggesting rhythm and collective movement. The mix of neon outlines and mirrored gradients evokes the atmosphere of nightlife and digital euphoria.

A surreal plant-like figure rises against a gradient sky, its leaves rendered in soft airbrush strokes of green and yellow. The stem bends fluidly, supporting two red flower forms that resemble expressive faces, blending organic and anthropomorphic qualities. The dreamy blue and pink background gives a floating, otherworldly atmosphere. The image merges nature and imagination, evoking digital surrealism through painterly softness.

Undulating vertical bands in greens, blues, and blacks form a rhythmic pattern reminiscent of flowing water or sound waves. Text elements are subtly integrated into the shapes, bending with the contours to maintain the illusion of motion. The alternating light and dark tones create depth and a sense of pulsation. The result is an immersive visual rhythm that feels both systematic and fluid.

A minimal composition dominated by pale tones, thin lines, and subtle wrinkles resembling folded paper. Yellow accents run vertically and horizontally, guiding the viewer’s eye across the otherwise quiet surface. The faint textures evoke material tactility despite the digital execution. The piece explores tension between emptiness and structure, creating a refined sense of spatial balance.

The design layers striped bars and gradients to simulate stacked objects or pages, giving the illusion of volume within a flat poster. Each horizontal band shifts in hue and lightness, producing a sense of physical layering. The composition balances minimal typographic elements with precise symmetry, creating an orderly yet dynamic visual rhythm. The overall impression recalls modernist precision infused with digital gloss.

Three abstract human-like figures march across a white background, each constructed from bubble-like textures and gradients. The bodies are composed of organic cells in neon pink, blue, and turquoise, giving a microscopic or alien impression. Despite their strangeness, the repetition of walking poses unifies them as a group. The visual rhythm of rounded forms and smooth transitions emphasizes motion within stillness.

@robert.radziejewski | This poster bursts with neon colors and surreal fluid shapes resembling organic creatures in motion. The intense reds, yellows, and blues are layered with blurred glows, creating an electrified, digital energy. The chaotic composition suggests a fusion of biology and technology, enhanced by scattered graphic elements and event information. The result is a hyper-saturated landscape of movement and visual noise.

@inyeongcho | Large black sans-serif text is overlaid with soft, cloud-like white words that float in the foreground. The layered typography explores the relationship between conceptual and visual time, blending gradients from white to cyan that suggest depth and atmosphere. The composition’s hierarchy shifts depending on focus—foreground words appear tactile while background text provides structural rhythm. The overall effect is contemplative, balancing spatial and temporal perception.

@edgarbak | The surface is filled with dense blue and orange wave-like patterns, producing an optical vibration across the frame. The alternating diagonal shapes generate a moiré effect that creates motion through repetition. Despite the abstract geometry, the overall rhythm feels organic, almost like ripples in fabric or sound waves. The tension between order and distortion gives the composition a hypnotic quality.

A red ASCII illustration of a rose is meticulously constructed from letters and symbols, evoking early computer-generated art. The pixel-like arrangement of characters forms a delicate balance between technology and organic form. The limited color palette and type-based rendering highlight the nostalgia of digital aesthetics. The work merges mechanical precision with poetic imagery, celebrating the intersection of code and emotion.

This poster layers multiple languages and scripts in a stacked typographic structure rendered in white outlines against a black background. The dense vertical alignment creates a sense of weight and compression, as if the words are physically pressing down on one another. Each letterform is given equal prominence, forming a unified block of text that transcends linguistic difference. The monochrome palette accentuates the graphic rhythm and hierarchy of the letter shapes.

The composition features overlapping geometric bands in vivid red, green, blue, and yellow tones, each with soft airbrushed gradients that create depth and movement. The shapes are arranged diagonally across the canvas, producing a dynamic rhythm that feels both typographic and abstract. The use of shadow and highlight emphasizes the curvature of each form, suggesting dimensionality within a flat layout. The overall balance between saturated color and negative space results in a bold yet controlled visual tension.

@bohuy_kim | A collage of ears overlaps across the frame, each paired with bold red Korean text asking rhetorical questions. The dialogue lines connect through blue dots and lines, forming a conversational network. The composition visualizes the complexity of communication and hesitation through rhythm and repetition.

@thejoyixu | The composition features a human silhouette filled with dense typographic and informational structures, resembling a data map or infographic. Across the figure, interlinked pastel-colored chains weave through the body, symbolizing connection, restraint, or interdependence. The background is a white grid packed with text blocks, diagrams, and small visual elements, creating a sense of overwhelming data density. The overall layout balances rigid structure with organic flow, merging mechanical precision and emotional symbolism through contrast between black silhouettes and colorful chain gradients.

@aeni.kaiser | This poster merges intense neon gradients with dynamic typographic gestures. Thick and thin letterforms interlace with abstract tubular shapes, producing a visual tension that vibrates with energy. The saturated palette of red, green, blue, and orange amplifies the digital sensibility.

The composition features a grid of smooth blue and green squares, partially blurred to create a soft gradient transition. Transparent floral outlines overlap the grid, introducing a subtle rhythm between geometric order and organic flow. Vertical typography on the right balances the composition, lending a clean and futuristic impression.

@newrafael | This design uses a radiant gradient background transitioning from deep pink at the edges to bright white at the center, producing an effect of glowing illumination. Text elements in red and orange are repeated along the borders, rotated and mirrored to form a frame around the central light. The typography appears slightly blurred or stretched, creating a sense of depth and motion. A small circular emblem sits near the bottom, anchoring the composition. The overall atmosphere is immersive, evoking both digital space and radiant energy.

@kraejiyaeji | This graphic is dominated by a photographic portrait of a person wearing glasses and headphones, overlaid with cartoon stickers of cats and other playful icons. Each sticker features bold outlines and bright colors, adding a childlike and humorous layer to the otherwise straightforward photograph. The stickers are placed haphazardly, covering parts of the face and clothing. The composition creates a juxtaposition of reality and digital playfulness. The overall mood is whimsical, quirky, and lighthearted.

@paper_press | The design highlights the word “idolography” in a stylized black typeface with exaggerated vertical strokes and sharp edges. A gradient blue “i” contrasts with the rest of the text, adding emphasis. Above the text, a blurred pink heart shape provides a soft background accent. Additional small Korean and English texts are scattered around the composition in light blue and pink. The overall aesthetic merges pop culture references with experimental typography, suggesting playfulness and spectacle.

The composition combines photographic images of plants and cloudy skies with metallic, liquid-like 3D forms in the foreground. Circular outlines and geometric shapes are layered across the entire frame, giving a technical schematic feeling. The background is divided into two halves, green and red, providing stark color contrast. Typography is minimal and functional, positioned along the edges. The result is a futuristic and hybrid aesthetic, blending natural imagery with synthetic abstraction.

@kmuvcdofficial | This graphic uses a bright pink background filled with an arrangement of 3D-rendered food items, fruits, and objects. At the center, a pig’s head is placed prominently, flanked by candles, resembling a ceremonial offering table. Bold black Korean typography is scattered across the composition, interacting with the imagery. The color palette is vivid, mixing neon pink with saturated greens, reds, and yellows. The overall design creates a surreal and festive atmosphere with satirical undertones.

@somoim_kucd | This design layers numerous overlapping typographic blocks in black on a white background, shaped into irregular speech bubble forms. Each bubble is filled with dense text at different scales, creating visual noise and complexity. The repetition of forms arranged in a grid suggests rhythm but avoids strict symmetry. Variation in font size and orientation emphasizes dynamism and disruption. The overall effect recalls fragmented conversations or overloaded communication.

The graphic arranges repeated Korean words across a white background in a grid-like pattern, each word bold and black. Small green handwritten-like marks appear above many words, adding irregular rhythm to the strict layout. The repetition of similar typographic units produces density, while the slight variations prevent monotony. The structure resembles wallpaper or fabric patterning, combining order with playful accents. The overall effect is overwhelming yet systematic.

@shindokho | The design uses a deep black background with large white Korean characters arranged along the edges, forming a rectangular border. The typography is rotated and stretched, creating a sense of movement around the perimeter. At the center, smaller and denser text anchors the layout, serving as a visual counterweight. The interplay between oversized type and compact inner content creates dynamic contrast. The overall composition evokes both monumentality and intimacy within a single frame.

This composition combines a clean white background with a structured calendar-like arrangement of text in black and gray. Colorful, multi-layered radial motifs resembling flowers or fireworks are scattered across the page, overlapping key text elements. The contrast between strict typographic order and playful decorative symbols generates visual tension. The bright shapes serve as interruptions that disrupt readability while adding vibrancy. The overall design merges systematic information with spontaneous ornamentation.

The design features a solid blue background with white blocks of text that appear selectively highlighted or struck through. Black lines cross out certain words while others remain visible, emphasizing themes of erasure and censorship. The typographic treatment is playful yet critical, drawing attention to what is missing as much as what is shown. Hierarchical structuring is achieved through variation in text density and spacing. The overall impression is a visual dialogue between suppression and visibility.

@hello_ep | This graphic presents a dense grid of irregular black shapes layered across a white background, each paired with brightly colored rectangular blocks in shades of orange, green, purple, and blue. Overlapping text in multiple colors is distributed unevenly, producing a fragmented and chaotic texture. The composition creates a rhythm through repetition while maintaining visual disruption through shifting alignments. At the bottom, structured typography with clear spacing contrasts the clustered top portion. The result is an interplay of disorder and order, where blocks of color and dense text coexist in visual tension.

@damonxart | A central circular form dominates the design, filled with radial white-to-blue lines that create a spinning effect. Three metallic discs accent the edges, enhancing the mechanical and optical quality. The background text remains partially visible, providing an additional layer of depth. The precise geometry contrasts with the vibrant energy of the gradients. The result is both technical and hypnotic in appearance.

@bohuy_kim | The design radiates magenta and cyan bars outward from a vanishing point at the bottom center. The linear elements create a bursting effect, as if light or energy is emanating from a single source. The symmetrical arrangement enhances dynamism and focus. Against the black background, the neon-like palette intensifies vibrancy. The piece conveys a sense of spectacle and momentum.

The composition layers symbolic shapes with bold, airbrushed gradients. At the top, two blue hand icons are linked by a winding green ribbon. Below, thick black strokes tangle into an abstract mass, contrasted by floating starburst symbols rendered in multicolor gradients. The piece combines flat symbols, dimensional strokes, and glowing effects to achieve a vibrant, eclectic balance.

This poster consists of a dense composition made entirely from sound-related onomatopoeic words. Blue typographic clusters twist and overlap, forming cloud-like shapes. The variety of font sizes and directions creates rhythm and visual noise. Sparse white space around the edges allows the chaotic center to breathe. The design emphasizes language as both visual texture and sound representation.

Large, hyperrealistic vegetables dominate the composition, including eggplants, onion, carrot, and garlic. Each object is rendered with smooth digital shading that gives a plasticky, surreal surface quality. The enlarged scale transforms ordinary food into sculptural forms. The clean white background enhances the focus on color and texture. The image balances familiarity with artificial exaggeration.

The poster divides its visual space between solid black typography above and water-textured typography below. The lower half appears submerged, with wavy highlights mimicking a rippling water surface. The juxtaposition of dry solidity and liquid distortion creates a duality of presence. The restrained palette of black, gray, and pale blue enhances clarity and impact. It conveys a quiet but striking visual rhythm.

Black typography sits on a bright yellow background, partially obscured by fluid, metallic liquid-like shapes. These glossy, reflective forms twist across the composition, blurring readability while adding dimensional depth. The liquid effect contrasts sharply with the flatness of the type and background. The visual metaphor suggests transformation, instability, and adaptation. The composition draws attention to material contrast and experimental layering.

Nomura Sou | The central composition uses bubble wrap as a surface, with colorful floral imagery visible beneath the transparent circles. Each bubble refracts and magnifies small portions of the image, creating a playful pixel-like effect. The surrounding yellow frame enhances brightness and gives a spring-like atmosphere. Vertical blue text on the sides balances the composition while maintaining clarity. The piece merges tactile everyday material with vibrant digital-like patterning.

@kubotaarata | This poster features typography constructed from countless small blue strokes arranged like flowing currents. The clustered strokes form the words, creating an image that oscillates between text and texture. The organic density gives the impression of movement, almost like swarming fish or rippling water. Sparse red text on the side adds contrast and balance. The piece emphasizes collective form-making from repeated micro elements.

The design overlays bold red typography with a blue ripple effect that resembles light refractions on water. The text appears distorted and submerged, as if being viewed through a liquid surface. The background gradient of light blue strengthens the watery illusion, creating a sense of depth. The contrast between the sharp letterforms and fluid overlay adds tension. The overall composition suggests both legibility and disorientation coexisting in one frame.
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@ben.img | A 50-page book was created to accompany the thesis project “Stock Object,” detailing inspirations, processes, and final outcomes. The book itself is designed to tile together when opened, demonstrating how intentional alterations of common object forms can shift their relationship to function. Its unique shape was crafted using a corner notcher typically applied to sheet metal.
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@ben.img | “All we have is Now” is a zine highlighting accidental photos from people’s camera rolls. These images, often deleted or forgotten, are considered “low quality” but exist only through today’s advanced photographic technology. On touchscreen phones, taking an instant accidental photo is easier than with any camera in the past. These pictures also reveal details of each contributor’s reality that would not normally be shown.
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@ben.img | “All we have is Now” is a zine highlighting accidental photos from people’s camera rolls. These images, often deleted or forgotten, are considered “low quality” but exist only through today’s advanced photographic technology. On touchscreen phones, taking an instant accidental photo is easier than with any camera in the past. These pictures also reveal details of each contributor’s reality that would not normally be shown.
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@nicoantwerp | The artwork presents a twisting ribbon-like structure composed of layered, fan-shaped segments. The forms shift between soft gradients of green, pink, and peach, creating a dynamic sense of depth and surface texture. The arrangement suggests a continuous loop, where each segment overlaps fluidly with the next. The black background heightens the vibrancy of the colors and emphasizes the sculptural qualities. Overall, the image balances organic fluidity with geometric repetition.
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@nicoantwerp | The composition is symmetrical, with mirrored digital landscapes placed in a grid-like structure. Each quadrant contains a vivid gradient of blue, orange, and pink, forming abstract folded surfaces. Surrounding these forms, a fine network of dotted lines creates a three-dimensional framework, as if mapping the space. The center remains black, enhancing the contrast and symmetry. The result feels architectural, immersive, and cinematic in scale.
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@nicoantwerp | The artwork is divided into two distinct halves, contrasting pixel-like abstraction with smooth organic curves. On the left, blocky grayscale shapes are overlaid with diagonal red lines, evoking a digital or coded texture. On the right, flowing forms in red, purple, beige, and blue create a soft, sculptural surface. The juxtaposition highlights the difference between rigid digital structures and fluid analog aesthetics. This duality creates a dynamic tension across the composition.

This illustration uses pixelated gradients to depict figures and objects. A central seated character with a pet-like companion is rendered in colorful vertical stripes, giving a digital moiré effect. Surrounding elements, including toys, flowers, and abstract symbols, share the same striped texture. Large serif typography is integrated into the layout, wrapping around the central imagery. The interplay of nostalgic softness and digital distortion gives the work a unique visual identity.

The poster features bold typography constructed from birch bark textures. Each letter curves and bends, giving the impression of three-dimensional tubes covered in natural wood grain. The background is a flat cyan blue, providing sharp contrast and enhancing legibility. Additional abstract white line drawings surround the text, adding a playful graphic layer. The result is a striking combination of organic materiality and digital flatness.

Fan Yu | This digital composition utilizes fine linework to construct intricate organic shapes. White thread-like forms radiate and fold across a deep blue background, resembling petals or waves. Each structure is meticulously repeated with slight variations, creating a sense of rhythm and harmony. Dashed guidelines and small text overlays introduce a technical layer, as if cataloging the organic shapes. The balance between precision and softness is a defining feature of this design.



































